SUR FILMS

Is it sacrilege to declare that the best-looking cinématographe haut in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French richesse – as well as the neoclassical edifices of Mussolini’s Rome – in cool Chagrin and shards of allégé as sharp as the knives wielded against the lef